Part I: From a Pile of Wood to a More Aesthetically Pleasing Pile of Wood
 | Using an ancient pressure system dating back centuries, the plates are glued in place. |
The various segments of colored wood that make up the rosette are meticulously arranged for gluing. |  |
 | First noteworthy accomplishment: the finished rosette is glued in place. |
The strap is cut for the braces of the guitar's back. |  |
 | Owen learns to appreciate the value of the vacuum clamp as the braces are suctioned in place. |
The back braces are shaved to perfection. |  |
 | More shaving: this time, the braces for the guitar's top (also called the sound board). |
The finished sound board. |  |
 | Owen uses the "hot pipe", a heated piece of rounded metal, to shape the sides of the instrument. |
The partially bent side is checked against the "half-pattern" for adherence to the body plan. |  |
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